Crap Hound (Death, Phones & Scissors)
By LiarTownUSA
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Crap Hound (Death, Phones & Scissors) Details
The first ever issue of Crap Hound in 1994 has only 32 pages and featured the subjects of Death, Phones and Scissors heavily. There were exactly 666 images in that first issue and it kicked off a multi-decades journey. This issue the same topics are revisited and revised and now there are 3,657 individual images inside.
Each page of Crap Hound is a treat to the eyes. Design-types will appreciate the incredible attention to detail of tessellation, and how each page tells a story all its own. Crafty-types and Xerox-jockeys will enjoy taking scissors to its pages and refashioning their own works. Tattoo artists will revel in the iconography on each page.
100 pages of content, replete with more scissors than one person could ever own, phones that the kids today wouldn't recognize and of course the looming spectre of death that awaits us all.
Previously released as Crap Hound No. 6. 8½ × 11 inches.
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Sean Tejaratchi
Sean Tejaratchi is an American graphic designer, art director, writer, and visual satirist best known as the creator of Crap Hound, the influential zine series he launched in 1994. Built from meticulously curated collections of vintage clip art and found imagery, each issue explores themes such as death, religion, superstition, or everyday objects while pairing striking graphic design with essays on culture, symbolism, and media. Widely admired by designers, illustrators, and zine makers, Crap Hound helped redefine found imagery as both an artistic medium and a practical resource for creative work.
Beyond Crap Hound, Tejaratchi has worked as a graphic designer and art director in publishing and film, including collaborations with Miranda July, and has produced acclaimed satirical projects such as the Tumblr LiarTownUSA. His sharp visual wit and cultural criticism have earned him a devoted following across print and digital media, making him a distinctive voice at the intersection of graphic design, collage, and social commentary.